Recently I was asked to shoot some portraits for a construction company at their offices up in North Manchester for their new look website. This was a rare occasion in that I’d been unable to do my usual pre-site visit to see what the location would be like. So on the day, I headed up there laden with everything including the kitchen sink in the worst rainstorms I’ve seen for some time. The combination of not having seen the offices and the torrential rain was beginning to make me nervous. It meant that no matter how awkward the office was to shoot in, there was absolutely no chance of shooting outside instead. Guess what I found on arrival? Small windowless rooms and long narrow corridors. It was going to be extremely problematic to shoot in. I had no choice but to make it work, somehow.
It came down to using a dark long narrow corridor shaped like a T, no windows, fluorescent lighting and without a great deal of room to manoeuvre. At one end I threw up a white seamless and put a Lastolite Ezybox on a stand. There was very little room to position the light and not get it in the frame. In fact the corner of the soft box is in the top corner of every frame. As the subjects varied from a tad shorter than me to way way over my head, I made a conscious decision to tripod my camera and crop the softbox out after the fact.
I dialled in an exposure just sufficient to get a completely black frame, and then incrementally added flash until I had the light I was looking for. The Ezybox wasn’t quite enough on its own though. As a result of the only position I could put it, I was getting too much fall off on the far side of the subjects' faces and bodies. I set up another Quadra on the other side and directed this at the white wall so that it would bounce back and provide a little fill. Worked a treat.
It was all going fine until somebody mentioned a group shot……